Why do I write about the poet Dante in a blog on international cooperation, governance and management? Like many of us today, Dante was struggling with the life of his time. He even had to go into exile. However, his answer was not a blog post, political campaign or retreat into inner emigration. No, he responded to the challenges of his time by writing with burning patience a masterpiece in poetry. It's now 700 years since his death. So, we are in a Dante Year! And I want to use this blog post to inspire anybody interested in complexity, governance and management to read a bit in the Devine Comedy. It may teach us a lot about what is possible.
At the same time it may help you to stay humble: You think you wrote a great text or book? Superb, now follow Dante and transfer it into a poem and, please, use throughout your entire poem the interlocking three-line rhyme scheme, or the terza rima used by Dante. Certainly, there is a lot we can learn from poetry and poets like Dante.
The Devine Comedy - Structure and story
The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise) – each consisting of 33 cantos (Italian plural canti). An initial canto, serving as an introduction to the poem and generally considered to be part of the first cantica, brings the total number of cantos to 100. It is generally accepted, however, that the first two cantos serve as a unitary prologue to the entire epic, and that the opening two cantos of each cantica serve as prologues to each of the three cantiche.
The number three is prominent in the work, represented in part by the number of cantiche and their lengths. Additionally, the verse scheme used, terza rima, is hendecasyllabic (lines of eleven syllables), with the lines composing tercets according to the rhyme scheme aba, bcb, cdc, ded, .... The total number of syllables in each tercet is thus 33, the same as the number of cantos in each cantica.
Written in the first person, the poem tells of Dante's journey through the three realms of the dead, lasting from the night before Good Friday to the Wednesday after Easter in the spring of 1300. The Roman poet Virgil guides him through Hell and Purgatory; Beatrice, Dante's ideal woman, guides him through Heaven. Beatrice was a Florentine woman he had met in childhood and admired from afar in the mode of the then-fashionable courtly love tradition, which is highlighted in Dante's earlier work La Vita Nuova.
The structure of the three realms follows a common numerical pattern of 9 plus 1, for a total of 10: 9 circles of the Inferno, followed by Lucifer contained at its bottom; 9 rings of Mount Purgatory, followed by the Garden of Eden crowning its summit; and the 9 celestial bodies of Paradiso, followed by the Empyrean containing the very essence of God. Within each group of 9, 7 elements correspond to a specific moral scheme, subdivided into three subcategories, while 2 others of greater particularity are added to total nine. For example, the seven deadly sins of the Catholic Church that are cleansed in Purgatory are joined by special realms for the late repentant and the excommunicated by the church. The core seven sins within Purgatory correspond to a moral scheme of love perverted, subdivided into three groups corresponding to excessive love (Lust, Gluttony, Greed), deficient love (Sloth), and malicious love (Wrath, Envy, Pride).
In central Italy's political struggle between Guelphs and Ghibellines, Dante was part of the Guelphs, who in general favored the Papacy over the Holy Roman Emperor. Florence's Guelphs split into factions around 1300 – the White Guelphs and the Black Guelphs. Dante was among the White Guelphs who were exiled in 1302 by the Lord-Mayor Cante de' Gabrielli di Gubbio, after troops under Charles of Valois entered the city, at the request of Pope Boniface VIII, who supported the Black Guelphs. This exile, which lasted the rest of Dante's life, shows its influence in many parts of the Comedy, from prophecies of Dante's exile to Dante's views of politics, to the eternal damnation of some of his opponents.
Source: Wikipedia - accessed on 3 February 2021
The Poem begins with the entry of the poet to hell (Inferno). Just have a look at the structure of this cantica. All dramas of life are featured there or do you missing anything?
https://fmlaster.wordpress.com/2018/04/20/morning-musings-and-dante/
Of course, hell as Dante describes it is nothing funny. It is misterious, heavy, bloody and dark. Whenever I enter a difficult phase in my life I always recall the frist lines of the Devine Comedy (Inferno, Canto 1).
Nel mezzo del cammin di nostra vita
mi ritrovai per una selva oscura,
ché la diritta via era smarrita.
Midway upon the journey of our life
I found myself within a forest dark,
For the straightforward pathway had been lost.
Does that sound familiar to any situation in your life?
And if you understand by now the world as imagined by Dante just write it down but not as a simple blog post but as a poem. And, never forget to write it in the interlocking three-line rhyme scheme, or the terza rima. I am sure Dante, being exiled in Ravenna, wrote the Devine Comedy with burning patience. However, he took about twelve years to write it (ca. 1308-1320). So, take your time too.
Dante entering hell The world with the earth, hell, purgatory and paradise as
Illustration by Gustave Doré imagined by Dante.
https://www.wikiwand.com/en/Divine_Comedy